Elaine Duigenan, Great-Britain, 1964, is like many photographers a collector, and where many photographers might take a step back, she takes two steps forward. She closes in on her objects, erasing often any form of context. This is visible in her projects; Nets and Micro Mundi. The last is a series of round photographs of snail trails. "I am continually drawn the to the line, the web and connecting strands – precarious states where there is an implied tension between unity and the propensity to unravel. Beauty, fragility, fear - all present and tangible."
In another project, Elaine photographed plastic bottles discarded on the beach.
Website: www.elaineduigenan.com
Photographer #023: Elaine Duigenan
Tuesday, May 4, 2010 Posted by Unknown at 3:06 PM
Labels:
1964,
500,
Duigenan,
Elaine,
experimental,
Great-Britain,
photographers,
photography,
still-life